The base of the Rule of thirds in the drawing is its definition and its characteristics, the golden rectangle and its use in the paintings, the rule of third parties

 The base of the Rule of thirds in the drawing is its definition and its characteristics, the golden rectangle and its use in the paintings, the rule of third parties

The base of the Rule of thirds in the drawing:

The base of the third is a drawing technique which divides a two -part fabric by placing two transverse lines on both sides of the center. The objective is to create a composition with a feeling of balance, by placing the elements in the areas where the others will balance. This can be done using objects or characters, but it is best to use them in the landscape and other large companies on a large scale. The third party rule is a technique to attract you to put your subject in the middle of your fabrics. It is used to create incredible structures and have a feeling of balance between the elements of your image.

The base of the three is a simple concept: place a point on both sides of a false line which extends under the middle of the canvas, then place two points on both sides of this line. This creates a total balance between the subject and other elements in the background. The "base" can be applied to any type of art, including landscapes, personal images, fixed images, etc. in these divisions. The objective is to ensure that each part of your painting contains something interesting, so that there is not just a nice background or two dimensional objects floating around your fabrics.

Many advantages: it is easy to learn and will help you create paintings with more depth than if you use straight lines or networks. This also makes your paintings more intentional because they follow the rules instead of being random. The base of the third is a technique for drawing the painting is divided into three and puts your subject in the third of the environment. This is useful for creating a balance between two elements, such as a landscape and a person. For example, if you want to create a landscape with one side on the side and the mountains on the other side of the plate, you can place your theme in the third in the middle of your painting.

Rule of thirds basic properties in drawing:

The idea behind this method is that it will give you more control in the form of the plate from different corners or distances. For example, if you draw an object that should be seen from the top (like a tree), you can paint the upper third of your black fabrics and let it bleed in the average third party where you have drawn a green background. Then, when someone looks at the top table, only two thirds of their vision will see - the upper third will be black and the bottom will be green

The three are a way to divide your image into three sections: a third of the image must be left on each side and two thirds in the middle. In the simplest forms, this means that if you have a 4 x 6 inch image, you will divide it into three thirds on each side and two thirds in the middle. You can also use other sizes to create different effects. For example, if you have an 8 x 10 inch image, you can divide it into four parts (a quarter on each side) and five (five in the middle).

The base of the Rule of thirds , or the golden rectangle, is a simple rule that can help you create more visually attractive combinations. The idea behind this is that each image needs three points of attention in each corner and one in the center to be balanced and visually attractive. The reason why it works well is that it creates a feeling of balance between the different parts of your image, because it means that each party considers that it has equal importance compared to others when it still gives them space to breathe in their own parts.

The emergence of the base of the Rule of thirds in the drawing:

The rule of three drawings is an exceptional artistic style of the Italian Renaissance painter Antonio Da Corigue. The name comes from the fact that his paintings were often drawn in a way that disintegrates to three, because each third of one of the horizontal or vertical lines of the network meets. The first historical signal comes to this style of drawing from the manuscript Leonardo da Vinci, which was affected by Corigue's work. However, until the 18th century, artists did not start using the two rules of third parties as a means of creating more harmonious structures.

This concept was first explored by the artist Johannes Eiten in 1909 and since then, it has been used to create some of the most beautiful images in history. You can see examples of this technique in the works of artists such as Vincent Van Gogh, Edghar Dega and Claude Monet and John Singer Sargent.

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