The oldest painting in history, the story of the oldest painting of Pharaoh in art history

 The oldest painting in history, the story of the oldest painting of Pharaoh in art history

Oldest fresco:

The oldest painting in history is a 12,000-year-old fresco of a bull decorated with red ocher used to decorate the walls of a cave in France. It was discovered in 2016 by archaeologists from the University of Toulouse and the CNRS (National Center for Scientific Research) in the Chauvet cave, located in a limestone mountain dating from the last ice age. The cave was inhabited by humans as early as 18,000 BC and has not been touched by modern humans since then.

Researchers discovered that the mural was made using a mixture of ocher and charcoal on a rock face. They also discovered that it was created by Neanderthals who lived there between 30,500 and 26,500 BC. This is important because it shows that the art existed earlier than previously thought and also suggests that other artists were using similar techniques before Neanderthals arrived in Europe around 40,000 years ago.

The oldest painting in history:

The oldest painting in history is a portrait of the Egyptian pharaoh Khufu, who reigned from approximately 2589 to 2566 BC. It was discovered in the Giza pyramid complex, on the outskirts of Cairo, and is thought to be at least 3,000 years old. The painting depicts Khufu wearing a crown with a horned hat and holding an ankh symbolizing eternal life. The painting has been interpreted as depicting the king as an incarnation of Horus-Ra, a god associated with kingship in ancient Egypt. He is said to look very sad, perhaps because he is thinking about all the work he still has to do before he can die peacefully.



The painting itself is quite large: 6 feet by 4 feet (1.8 meters by 1.2 meters). We do not yet know if there are other paintings of the same subject older than this one; However, archaeologists have found several other pieces that may date back to around 3000 BC. The painting is made of red pigment and covered with gold leaf. It depicts Khufu seated on his throne with his wife Hetepherus at his side and his son Pepi I standing behind him. Khufu's wrinkled face is depicted with thin lips and deep-set eyes surrounded by long eyelashes. He wears a golden crown adorned with what appear to be two cobras on either side of his head.

The painting is one of several found in the pyramid complex. It is believed to have been made by artists working for Khufu's son and successor, Khafre. The painting is unusual because it shows a human figure wearing a crown that had only been seen by pharaohs before this period. The style of dress also differs from other paintings or sculptures found at Giza, which are often images of gods or animals.

Khufu's reign lasted 35 years. During this period, he worked on the construction of several pyramids and temples in Egypt, including the Great Pyramid of Giza (also known as the "Pyramid of Cheops"), which was built for him during his lifetime by architects and scribes. To be king. The stele is neither signed nor dated, but it may have been commissioned by Khufu himself as part of an "eternal" memorial to himself and his family - a tradition which still exists today in many ancient cultures. The painting dates back to before Egyptian civilization was recorded in writing, meaning it could have been created around 4,500 BC.

The painting is one of four known portraits depicting Khufu, making it a rare example of an ancient Egyptian ruler willing to publicly appear as a living person. It was discovered by Howard Carter in 1922 during construction work on the Great Pyramid of Giza. The painting is so old that we don't even know what type of paint they used and we only know that they used paint to paint it. And we're not talking about any kind of modern paint or oil: they used something called "pigment" or "scorched earth." Results? A wonderful piece of art that makes us feel like we're right there with those ancient Egyptians! The colors used in this painting are very dark and muted, giving it an almost universal quality – the shapes have a dreamlike quality that makes them seem almost unreal.

Learn more:

- Why does an artist paint? How does a painter think when creating his art and how does he feel?

- Analysis of Kandinsky's painting Music and fine arts, Analysis of Kandinsky's painting, Ka

- Why was Van Gogh depressed? Is Van Gogh mentally ill?

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